Album: Bad Animals
Written by: Billy Steinberg/Tom Kelly
Lyrical content: unspoken yearning; "Goodnight My Someone" with hairspray
Where used: chorus
Way back when, if you recall, there was an episode of Friends that featured the guys, having just watched Behind The Music for its snark potential, sitting on the Central Perk couch, sober, thoughtful and in full agreement as Joey says, "You forget how many great songs Heart had." It's a moment that's apropos of nothing in particular except, I suspect, the fact that one of the writers had the exact same realization, and with the exact same amount of surprise, not long before. Heart's catalogue might not be especially deep, but the many choice bits have stood up a lot better than most, and their stock has clearly risen over the past few years. Part of that might have something to do with American Idol. As has been noted by several of my associates, Heart is the sleeping giant on the show every year, the regular go-to for female contestants who wish to hang on to their "edge" (so punctuated because the songs most often performed come from the band's mid-1980s reinvention into a clean, heavily-produced, image-conscious pop group) while still showing off their vocal pyrotechnics.
None of this is meant to denigrate the songs themselves or the folks behind them. Most bands never manage to succeed at even one career; Heart managed to pull off two entirely separate careers a decade apart, which deserves a salute. "Alone" was the apex of second-wave Heart and, arguably, all 1980s power ballads. It was big, it was bombastic and it was yearning and melodramatic, making it perfectly suited to both Top 40 radio and prom. In keeping with Heart's roots as Zeppelin-loving rock chicks, "Alone" is essentially their "All My Love." As for the video, well, if you're looking for the ideal visual metaphor for a power ballad, then you won't find one better than an exploding piano.
SFCP-wise, this is kind of a weird one, in that the key of the song seems to shift dramatically between the verse (which is in B♭m but ultimately resolves on a D♭ major chord) and the chorus (E♭m). But in a way, that only helps to set up the SFCP for maximum impact: after a wandering, shifting verse that leaves listeners pleasantly discombobulated and trying to gather their bearings, the simplicity and straightforwardness of the chorus provided an easy-to-follow map out of the wilderness. As for the lyrics, it's interesting to note that Ann Wilson is singing to someone who can't hear her: her calls go unanswered, her secret remains unshared. And the agony of this is tearing her apart. It seems that Heart and the guys who responsible for "Like A Virgin" helped invent emo.
Full song: Heart, "Alone"
Listen to the SFCP clip for this song